Working With Words: Amanda Hampson, Author

When visiting a friend up north a couple of years back, she pressed a book into my hands and urged me to read it. The book was The Olive Sisters by Amanda Hampson and it was a most enjoyable read. Hampson has published several books, and the most recent is The Yellow Villa, set in France. She recently gave an author talk at Katoomba library and I was able to go along and listen as she spoke about her writing life.

One of the highlights of her childhood in a small town in New Zealand was library day on Fridays, and it was here where Hampson developed her love of books, working her way through myths and legends and adding Agatha Christie novels and true crime stories over the years. The desire to be a writer was clear to her from an early age, and she thought that a career in journalism would be the starting point.

Hampson moved to the UK and lived there and later moved to Australia. Whilst in the UK, she travelled extensively and visited France regularly, having developed a passion for all things French from her mother. It was during this time that Hampson began to write. This included short stories and articles, and two non-fiction books were published.

Her first published novel, The Olive Sisters, was written over a period of about five years and is a story told across two generations. It deals with the sense of isolation and loss of prestige that can be experienced when giving up city life for the country as part of a tree change. This had been inspired by her partner’s struggle with the change in status and loss of identity following a similar relocation.

Two for the Road was her second novel, set in the macho tow truck industry, and it is entertaining to read of some of the challenges she encountered in researching the industry as background for the novel. Uplifting, escapist reading was one of the motivations behind Hampson’s third novel, The French Perfumer; this provided a contrast to the focus on dark news which was also reflected in the literature at the time. This novel is set in the 1950s during a period of optimism and gracious fashion.

Hampson opened the floor to questions, which included one about how to resist the temptation to move from what you are currently working on to the Next Great Idea. She responded by speaking about the creative destructiveness of moving between projects and consequently not finishing anything. Jot down ideas, by all means, but don’t let it distract you from what you are currently working on. Another popular question for authors is around the writing process – what does this look like? Hampson said that when she begins a novel, she commits to writing 500 words a day at a minimum. Some days that is much easier than others, and once the creative flow takes over the word count increases, but having this minimum amount as a starting point helps to get words on the page.

Amanda Hampson’s website can be found here – it has extracts from her novels along with insights into her writing process. There is also an interesting article on her writing life on her publisher’s website.

[Photo: painted laneway at Hornsby, next to a bookshop]

Advertisements

Writers’ Journey, Sydney Writers’ Festival Event @ Katoomba

Like many readers and writers I find it interesting to hear how other writers approach their craft, how their interest in writing came about and what their process looks like, not least of all because it is unique to each writer.

And so I jumped at the chance to attend an event about the writing journey as part of the Sydney Writers’ Festival, held in conjunction with Varuna and the Blue Mountains Library. The four people who shared their stories and insights into the writing life are accomplished Australian writers across fiction and non-fiction and their oeuvre crosses many genres. David White, who facilitated the event, acknowledged the endless fascination that readers and writers alike have in the writing process.

The session began with each writer providing a 15 minute overview of their writing life. Malcolm Knox shared the story of his first day on trial with the Sydney Morning Herald in 1994; Catherine Cole spoke of the influences of childhood, of how the joy and pleasure of reading led to a desire to create. Craig Cormick demonstrated his passion for writing the story that demands to be told by passing around a sample of his many published books, ranging across non-fiction, children’s fiction and short stories. Lisa Chaplin, a self-described housewife with an imagination, outlined her transition from romance writer to historical novelist, and shared her approach to writing which includes a hand drawn visual map incorporating the three act structure, soundtrack and scented candles specific to the current work in progress.

The reality and challenges of a writing life were acknowledged by all of the writers. Self-doubt, how your best work isn’t always your published work and how success does not always correlate to talent were some of the points agreed upon. Cormick said that writing exposes your heart and that publishing takes a bite (out of it), but write anyway. A couple of good examples of learning from the masters was provided by Chaplin, who learned the art of editing through the Romance Writers of Australia, and Fiona McIntosh Masterclass. All agreed on keeping drafts of your work, and to remove your darlings to a separate document rather than to kill them off completely – a character or situation which might not fit one piece of work may suit another.

But there are many upsides to a writing life as well. The importance of small things, of celebrating the success of other writers and of keeping in mind the need to engage in the world around you. How the best you can expect is a life in which there is space and scope to write.

Write anyway – this was the overarching message. Embrace the power of creation, and believe in yourself as a writer.

[Photo: Lisa Chaplin, Malcolm Knox, Catherine Cole & Craig Cormick, left to right]

Book Review: The Merry-Go-Round by the Sea by Randolph Stow

Sometimes books live on my peripheral before the time seems right to read them. The Merry-Go-Round by the Sea is one such book. I have glimpsed it over the years on the bookshelves in my Mum’s extensive library, and the title itself became quite evocative and telling in its own way – the image of a merry-go-round conjures up visions of childhood and freedom of a kind. A recent biography of Randolph Stow (Mick: A Life of Randolph Stow by Suzanne Falkiner) was extensively reviewed earlier this year; enough to remind me of an Australian author who I was yet to read. Then I spotted the audio book recently in the Blue Mountains Library online collection and it was available for instant download. The time was right.

The book steps with confidence into the lives of Rob Coram and his family, living in Geraldton, Western Australia, during the Second World War. Nearly six-years-old when the story begins, Rob is curious and direct and emotional with the intensity of a child. It is easy to believe his excitement at visiting the family farm, and it’s touching to see his affection and admiration for his Uncle Rick. The visit coincides with Rick’s twenty-first birthday, and Rick’s departure for war. Rob’s despair and grief is palpable, and throughout Rick’s extensive absence he maintains an avid interest and belief that Rick will return, even when his mother and aunts seem to lose faith.

Family connections form a constant yet changeable backdrop during the war years. Rob, his younger sister Nan, and his mother stay with various parts of the family as the threat of invasion increases then gradually fades. There are reminders of war everywhere, from trenches being dug into tennis courts to the rough justice in the school yard playgrounds. Rob’s father is an absent presence, initially stationed nearby and visible at odd intervals, only to disappear on war service and return in a perpetually distracted and absent state of mind.

The portrayal of Rick’s war imprisonment is devastating without being dramatised. Insights into the relationships formed during impossible times are shown in various guises, including the mateship between Rick and Hughie, a friendship which survives the war years but is tested in peacetime when the challenges of returning to a ‘normal’ life after near death existence are difficult to overcome, for Rick in particular.

Throughout this, the relationship between Rob and Rick develops, and Rob provides the sometimes brutal insights that children unintentionally make. Rick is direct in speaking of some of his wartime experiences with Rob, disturbing as they are. Rob in turn shares part of the rocky and awkward path towards adolescence with Rick.

The warmth and wit and humour of an extended family who love and mostly support each other is woven throughout the story, including some delightfully eccentric aunts. And then there is the landscape itself, countryside with a changeable beauty tracked by Rob through the seasons. He is saddened when he realises that he is a ‘townie’, wanting instead to be from the land. The harshness of the continent is shown too, but the natural beauty is conveyed with such genuine affection that the sights and sounds are vividly experienced.

By rock pools and creeks the delicate mauve-petalled wild hibiscus opened, and the gold dust of the wattles floated on water. Wild duck were about, and in trees and in fox-holes by water he looked for the nests, staring in at the grey-white eggs, but touching nothing. Climbing a York gum, he was startled when a grey broken-off stump of branch suddenly opened golden eyes at him. He gazed into the angry day-dazzled eyes of the nesting frogmouth and felt that he had witnessed a metamorphosis.

Listening to this book in the lead up to Anzac Day made it more poignant somehow, making me wonder how it was received when it was initially published in 1965. I was sad to finish it, and pleased a couple of days later when I found a copy on my own bookshelves at home. I thought I’d picked it up somewhere in my travels.

There is a comprehensive review of the novel on the ANZ LitLovers LitBlog site here.

Have you discovered a hidden gem in your reading lately?

[Photo: flowering gum]