For Your Listening Pleasure: Why Audiobooks Are Great

There seems to be some contention about audiobooks. By listening to a book being read to you, are you really reading the book?

A stray tweet reminded me recently of the early discovery of the joy of having a book read aloud. Sure, the Disney records and books were also about learning how to read and follow a story, even if there were words on the page that were beyond the reader’s vocabulary at that point. The chime of a bell to mark the turning of a page would probably still produce a response from me today.

Audiobooks on tapes, CD and MP3 are provided by local libraries, and now they can be downloaded online from the comfort of home. There is no fear of forgetting to return them and incurring fines as they simply vanish on the expiry date unless you extend the loan. It really couldn’t be easier to tap into a whole world of literature and non-fiction with the only expense being time and bandwidth.

I have been introduced to many of my favourite books through listening to the audio version. Recent highlights have included:

  • The Belltree Trilogy by Barry Maitland: a detective series featuring Harry Belltree and set around western Sydney and Newcastle. This was memorable for the morally ambiguous main character and the excellent narration of Peter Hosking, who has guided me through many books including several featuring Peter Corris creation PI Cliff Hardy.
  • The Sellout by Paul Beatty. This was a recent read for my book group and whilst I had the book itself, I was struggling to get into it. I listened to a sample of the audio book and suddenly the narrator’s voice was clear and I ended up enjoying the book much more than I would have thought.
  • Big Magic by Elizabeth Gilbert. Again I had the book and had read segments of it, but listening to it read by the author added an extra element of enjoyment and depth. It was an invigorating experience.
  • Rain and Other Stories by W S Maugham and The Home Girls by Olga Masters. Two short story collections by masters of the craft. Years later I can still recall elements of the stories made even more vivid with the telling.
  • Wolf Hall and Bring Up The Bodies by Hilary Mantel, narrated by Simon Slater and Simon Vance.  I don’t usually listen to audiobooks more than once but these books are an exception to the rule.

There are, of course, downsides to listening to books. If the narration doesn’t resonate I tend not to persevere. Fortunately you can usually download a sample before committing to the entire book. For really long works this is a wise step as some books can go for days, literally. And it isn’t possible to listen all the time: concentration does drift away sometimes and some books have the odd boring passage. As yet, I haven’t skipped to end of the book to see how it ends, which is something I would do with a physical book that was not maintaining my interest.

If I really enjoy the audiobook, I will usually pick up a copy of the book itself to revisit passages or re-read entirely. For me, audiobooks supplement my love of reading, providing a convenient entry into another world, and one that I can enjoy whilst driving, cooking, cleaning and the like.

Do you listen to audiobooks?

[Photo: reading room in one of the buildings at Sovereign Hill, Ballarat]

 

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Putting Creativity Out There

Over the last couple of years I have been writing fiction. This has mainly been in the form of short stories along with the first draft of a novel. The words have been growing slowly, building up in the background.

Some of the short stories have had an airing in my writing group, and this has been invaluable in a number of ways. Following constructive feedback, I have usually come away with a couple of areas to rework. I’ll admit that there are times when the feedback has been a bit challenging to hear, but usually once I digest the suggestions and revisit aspects which were confusing, the work feels stronger. I have been filing away the updated pieces, satisfied with the knowledge that they were as good as I could get them at this time.

There are lots of writing competitions out there, but I have been a bit reluctant to send these pieces out into the world. Late last year I read Big Magic by Elizabeth Gilbert which made me think that perhaps it was time to let some of my work go, to see if it could stand up on its own. In my writing group there was encouragement to get our work out there with a clarion call to collect rejection slips as we set our stories free.

I had been keeping an eye on competitions through a free weekly newsletter from the NSW Writers’ Centre and had printed out an entry form for a writing competition in Victoria. The form was filed and promptly forgotten until I discovered it, a day or two before the closing date. Fortunately submissions were online and I picked a story that met the competition criteria and sent it off before moving on to my next thought. When I came across the competition form a month or so later I tore it up, thinking that was the end of it but at least I’d tried.

Then I received a phone call. From Victoria. A phone message to let me know that I had won first place. I listened to the message a couple of times, stunned. The judge’s comments on the website said my story was charming and well-constructed. I felt giddy with delight. My story, inspired by a podcast about the vital role played by memorial halls in small country communities, had been good enough. You can find the story here.

So I will continue to create and dream and polish and put my work out there. I have recently come across the following in Writing Alone, Writing Together by Judy Reeves. It sums up how to behave as an ambitious writer:

The ambitious writer doesn’t hide her short stories in a drawer when she completes them, she sends them out. She starts with The New Yorker and works her way down. She doesn’t hesitate to approach a successful writer and ask questions, or follow an agent into the elevator so she can give a pitch. Even if she’s shaking in her Hush Puppies, she goes after what she wants. Being in the right place at the right time, knowing the right people, getting lucky, a chance encounter, a fortunate happenstance – all these might play a role in getting what you always dreamed of, but the ambitious writer is the one with energy and fortitude and stick-to-itiveness that the Elmer’s folks would like to patent.

Do you let your creative work go out into the world?

[Photo: three green owls]