Tag Archives: heritage

Impressions of Launceston, Tasmania

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A couple of months ago, I headed off to Launceston for a few days. There is something almost comforting about the compactness of Tasmania; even in a few short days it is possible to see a lot of places if the mood takes you, or you can simply enjoy just being and really exploring a place if that is your preference. The year before I had a similar break in Hobart which was invigorating and relaxing. I was curious to see what the largest city in the north of the island had to offer.

Launceston streetscape, Cameron Street

Launceston streetscape – Cameron Street

Launceston is located in a natural basin at the head of the Tamar River, where it joins the North and South Esk. Mere minutes from the centre of the city, the South Esk plunges into Cataract Gorge, a steep basalt chasm. This is a popular tourist destination with paths along the cliff face and boasts the world’s longest single chairlift span.

Statue of Dr Pugh with Chalmer's Church in background

Dr Pugh and Chalmer’s Church, Prince’s Square

It is home to many nineteenth-century buildings, and there are many architectural delights to discover. Many of the fine heritage buildings have discrete but informative plaques outlying their history and previous uses, as appropriate. There are several suggested walks around the city which follow heritage buildings, stories of trade, public offices and places of worship. One of the first buildings that caught my eye was Chalmer’s Church. It opened for worship in 1860 and is an example of the Free Church of Scotland in Tasmania. It overlooks Prince’s Square, which has been many things including a parade ground. The statue that can be glimpsed in the bottom middle of the photo is of Dr William Russ Pugh who in the 1840s was the first person to operate with general aesthetic in the Southern Hemisphere.

Val d'Osne Fountain in Prince's Square

Val d’Osne Fountain in Prince’s Square

City Park was a lovely place for a wander. The land was originally used to house Launceston’s Government House and by 1841 the area was being used as a People’s Park, with a small admission fee. The gardens were gifted to the people of Launceston as a public park in 1863. In 1897 the Children’s Jubilee Fountain was installed to commemorate the Diamond Jubilee of Queen Victoria. There is also a large colony of Japanese Macaques in the park, a mark of the sister city relationship with Ikeda City in Japan.

Jubilee Fountain and John Hart Conservatory in City Park

Jubilee Fountain and John Hart Conservatory

Across the river, the former Launceston Railway Workshops are now home to the Queen Victoria Museum. At one time there were over 270 railway stations in Tasmania. The passenger railway service was closed in 1978 but there are quite a few heritage railways in operation around the island and bulk freight still uses part of the rail network.

North Esk River views including brewery

North Esk River view with breweries along the riverbank

For a city of over 80,000 with lots of interesting buildings and places to visit, a handful of days wasn’t really enough to do it justice. I kept being drawn back to the river with its links to the commercial history of the town, its development, and the consequences of flooding – there have been 36 significant floods recorded to date. It was while strolling along the riverbank, taking in views of the Boag brewery and old Custom House, that I first saw Tasmanian Native Hens.

Tasmanian Native Hens

Tasmanian Native Hens

Launceston is a central base for further exploration, with Devonport relatively close by along with historic towns including the nearby Evandale, Ross and the mural town of Sheffield all within an easy drive. Hobart is about 200 kilometres away – not far in mainland terms but there was enough to keep my attention within Launceston, and it is a place that I’m sure I’ll return to again.

{Photo: gargoyle from church in Launceston}

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History Herstory Our Story: Parramatta Female Factory – 200 Years

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The foundation stone for the Parramatta Female Factory was laid on 9 July 1818 by Governor Lachlan Macquarie. The bicentennial of this event was marked by a community gathering in which stories of women, children and men who were linked to the history of this place were acknowledged.

The day’s events included a dedication ceremony, historical re-enactments, speeches and the unveiling of a commemorative wall. There was also a Welcome to Country, acknowledging the Barramattagal ancestral ground.

The Parramatta Female Factory was commissioned by Governor Macquarie in response to the growing challenge of creating an environment where convict women could be housed, gainfully employed, be selected as possible servants or wives, and punished if required.

North Tower of Ward 1 featuring clock that was once located on Female Factory main barrack

North Tower of Ward 1 featuring clock that was once located on Female Factory main barrack

The role of women in the colonial society was contentious on various fronts, and not least of all because the female population was significantly lower than that of men. An anonymous letter had been sent to Earl Bathurst accusing Macquarie of condoning prostitution by not providing accommodation for unmarried women. Macquarie had requested approval to build accommodation previously but had been denied. Reverend Samuel Marsden had plans already drawn up; these plans were passed on to Colonial Architect Francis Greenway by Macquarie. The plans were to build a factory and barracks to lodge 300 women on four acres enclosed by a nine-foot stone wall.

The factory model was used for a further twelve factories around the state and the country as the colony expanded. It was to be built alongside the Parramatta River, in part to provide access to the river for spinning flax and bleaching linen. Government House was on the other side. The Factory “stood on the edge of its large barren grounds as if straining across the river to the settlement.” (Macquarie’s World, Marjorie Barnard).

Female Factory Store and Dispensary

Female Factory Store and Dispensary

Factories were designed with multiple purposes in mind including British bridewells, workhouse and prison. Various work was carried out by women on the site, including producing linen, wool picking and spinning, stone breaking and working within the factory itself. It is estimated that about 5,000 women passed through the Parramatta factory. Women were employed as servants by private settlers and returned for various reasons, such as reassignment, the birth of children or court-ordered punishments.

The site had a history of overcrowding, mismanagement and poor conditions, and there were various riots at the site as a result. A class system was put in place to separate women eligible for assignment, women approaching the end of their imprisonment, and women who had committed crimes in the colony or had broken the strict factory rules.

View from riverbank towards industrial sections

View from riverbank towards industrial sections

In Women Transported: Life in Australia’s Convict Female Factories, a handbook to an exhibition compiled by various researchers and contributors, it is noted that it was estimated that at least 25,000 convict women were transported to Australia. Of these, between nine and ten thousand are estimated to have passed through one of the colonial convict female factories. There were two in Parramatta (the original one had been located above the gaol) and two in Moreton Bay; others were located at Newcastle, Port Macquarie, Hobart Town, Cascades, Launceston, Ross and George Town. Many of the factories were developed as adjuncts to gaols.

The description below of a typical journey to the Parramatta Female Factory is from A History of Australia (Volume 1) by Manning Clark.

These women were taken by boat from Sydney Cove to Parramatta. This journey lasted from morning to evening in fair weather, but with an adverse wind darkness came down before the end of the journey, when great irregularities took place and the women frequently arrived at Parramatta in a state of intoxication and plundered of their property, to begin their servitude the next day in destitution and on a hangover. By an odd irony this was generally their first experience of life in a colony which had been created for their reformation as well as their punishment.

The Factory, located in Fleet Street in North Parramatta, formed part of a complex of government buildings in the Parramatta area which played an important part in the development of the colony of New South Wales. Some of the original factory buildings remain; others were demolished when the site was later repurposed as an asylum. The high walls that are a familiar sight in locations including Gladesville Hospital (a custom built asylum) are present here too. The factory is now part of the Cumberland Hospital complex, under Western Sydney Health, and NSW Institute of Psychiatry. The Parramatta Female Factory Precinct, which incorporates the Female Factory and Roman Catholic Orphan School (later Parramatta Lunatic Asylum and Parramatta Girls Home) has been in continuous use as an institutional site since 1818.

Hospital administration building, built c 1910 over the original gated entrance to the Female Factory

Hospital administration building built c 1910 over the original gated entrance to the Female Factory

A walk around the grounds shows a mix of heritage sandstone buildings and other buildings from different decades. On one perimeter there are the high walls of the defunct Parramatta Gaol. A short bridge over the Parramatta River provides access to the modern Cumberland Hospital.

There were a variety of stall and historic displays set up in the airing yard, a grassed space protected on three sides by sandstone buildings. Beyond a fence, the ground slopes down to the river and there was much bird activity and a colony of grey-headed flying foxes. They were mainly suspended from branches, tightly bound and resting, but the group of noisy people below may have been disturbing them as there were regular squawks and squabbles as positions were jockeyed for and the odd bat took to the sky before circling back to nudge someone else out of position.

Grey-headed flying fox

Grey-headed flying fox

Other colourful displays during the day included several people dressed in historical costume, including a man playing the role of Samuel Marsden (with a flogging whip, striding about and asking who the owners of children were), a schoolmistress and a matron. They provided a lively touch to what was, for the most part, a day of sharing family stories connected to a difficult time and place in our history.

Historic Actors at Commemoration

Historic Actors at Commemoration

As part of the bicentennial ceremony, following a number of interesting and personal speeches commemorating some of the many women and children who passed through the factory site, a plaque was unveiled. This contains the first names of some of the women who entered the factory gates as part of their journey through the colony.

Parramatta Female Factory Memorial

Parramatta Female Factory Memorial

There is an excellent site created by the Parramatta Female Factory Precinct Association Incorporated (Parragirls) which provides an overview of the site over its many decades of institutional life. There are common – and devastating – echoes across generations of women with stories linked to the area.

Kandos Railway Station

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The railway station was the nerve centre of a country town, both exit and entrance, export and import, off to adventure or homeward bound. People came to collect parcels or despatch goods, meet friends and relations or say goodbye, go on holiday or leave for school, enjoy the hubbub or look at the train. For trains, like brass bands, with their power and rhythm, touch a warm collective memory.

Colleen O’Sullivan, Discover Magazine, Nov 2017

I came across the above description of a country railway station in a small article in a local tourist magazine for the Blue Mountains and Central West of NSW. Like many small stations, Kandos has not been in use for passenger services for a long time, but there has been a spate of activity in the last year or so.

The station was opened as Candos Station in 1914; it was renamed Kandos the following year. Candos is believed to have been made using the initials of the first six directors of NSW Cement, Lime and Coal Company, which owned land near the railway line. There were a couple of other towns with similar names in New South Wales and South Australia, and so a name change was arranged.

Initially, the station was operated without a station master. In 1918, three swagmen took possession of the station on a Saturday morning, threatening anyone who approached the station until they were arrested by police from nearby Rylstone. The following year a station master was appointed.

There was a sense of pride taken in the presentation of stations, with staff establishing and maintaining gardens to brighten the platforms. In 1925 the station was specially commended by the area commissioner for tidiness and cleanliness. By 1927, the line was upgraded and Kandos was the fourth highest-earning station in the state, after Newcastle, Lithgow and Darling Harbour.

More recently, the Kandos Museum has taken over the lease on the old railway station and is in the process of relocating its collection. Late last year funding was granted to reopen the railway line between Kandos and Rylstone to establish the Kandos-Rylstone Rail Heritage Precinct. This will see the line repaired and upgraded and will provide opportunities for tourists and heritage lovers to visit the area and enjoy the history along with heritage train rides. In the future, this may connect up with the Lithgow State Mine railway.

Whilst the days of the railway station as the hub for small towns has largely passed, it is great to see community efforts for rejuvenation and repurposing of the old stations come to fruition.

[Photo: Capertee Railway Station, on the Gwabegar railway line towards Kandos and Mudgee]

Capertee Train Trip

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Old trains capture my imagination. A short steam train ride in Tasmania remains a favourite memory from years ago – as the train tootled along, there were sheep scattering off the tracks in all directions. When the opportunity came up to travel from Lithgow to Capertee on an old CPH railmotor, I took it.

The train line to Capertee is no longer a passenger line, like many old lines across the state. The Gwabegar line remains open for coal trains and the railway travels through Wallerawang, Portland and Ben Bullen before arriving at the small village of Capertee.

But the destination is only part of the journey. There were three carriages of fellow travellers on this trip, and there was a frisson of excitement as the train arrived at Lithgow station, precisely on time. Our guide for the day was Graeme, the president of the Capertee Progress Association. He was decked out in tails and a top hat, which seemed entirely appropriate. Armed with a megaphone he had the passengers organised in no time at all.

 

CPH Railmotor arriving at Lithgow station

 

On the journey out I shared the trip with one of the volunteer train guards, who told some interesting stories of some of the heritage train trips he’d been on around the state. We marvelled at the rolling green hills, still soaked after days of heavy rain, the mob of kangaroos on the golf course at Marrangaroo, and the smaller groupings of roos startled by the train, springing into action and bounding at speed alongside the carriage.

But the real star of the show was the scenery. The landscape became increasingly rocky and steep, and there were swathes of darkness as the train rumbled through tunnels. The rocking of the carriages, the smell of diesel, the excited chatter of a large group of people, all of this faded into the background as the wide canyons and valleys came into view. The area has the largest enclosed canyon in the world.

In recent travels, I’ve been through quite a few small country towns. I find them interesting, as no two are really alike. Some places feel heavy with a sense of their own demise as people move away for work and lifestyle reasons. Capertee, although small, has a sense of vibrancy. The town knew that the train was coming and there were markets and activities lined up for the visitors. A sign near the market proclaimed it to be ‘train day’ and there were various stalls set up inside and around the local hall. Part of the proceeds from the train trip was to be used to help maintain and upkeep the hall, which remains a living hub for the community.

Inside the hall, there were many photos of gatherings from previous years, along with local landmarks including the Glen Davis Shale Mine. Outside there was a BBQ for the hungry hordes and a special performance from the Lithgow Pipe Band. It was great – a professional and entertaining performance, and it will take me a long time to forget their rendition of Hokey Pokey. Santa had paid a visit earlier in the day, but I had been having a wander around the Glen Davis Shale Mine.

 

Lithgow Pipe Band performing at Capertee

 

When the train pulled back in at the station – it had followed the line out through to Kandos before returning – it was a happy crowd that piled on board with local purchases and memories of a day out in a friendly country town.

Have you had a day out of the ordinary lately?

[Photo: CPH ‘Tin Hare’ railmotors leaving Capertee for Kandos, part of the heritage fleet at Lachlan Valley Railway]

A Meander Around Molong

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Molong is a small country town about 300 km west of Sydney on the Mitchell Highway, and about 45 km north-west of Orange. The highway skirts around the town itself, but it is worth stopping for a while and having a look around the commercial centre of Molong.

Old Bank and Post Office in Bank Street, Molong

Old Bank and Post Office in Bank Street, Molong

The township of Molong began as a government stockyard in 1845, and copper mining also began in the area at this time. This was the first metalliferous working in New South Wales. The first land grant was at Larras Lee, still marked by a stone monument along the highway into town. Travelling from Orange to Molong, the turn off to Yuranigh’s gravesite is signposted, and the remnants of the Fairbridge Farm School can be seen before the rows of poplar trees mark the entrance into the town. Molong is derived from a Wiradjuri word, believed to mean a place of many rocks, and there are many limestone outcrops through this part of the countryside.

Cobb & Co Coach House, Molong

Cobb & Co Coach House, Molong

The main street of Molong, Bank Street, is classified by the National Trust. Heritage buildings line the street from the old railway station past old banks and the post office, beyond the town hall and towards the residential areas of the town. They evoke a different time, and many of them were built during the 1870s and 1880s when the town expanded as the extension of the railway line provided confidence in Molong’s future. Insight into town life in 1871 can be found here.

Old shop fronts in Molong

Old shop fronts in Molong

With a small population of about 1500, the town is remarkably vibrant. On the Friday afternoon when I passed through, most of the shops were open offering everything from antiques and second-hand books to gelato and pies. There were galleries and gift shops along with a small group of locals running a fundraiser. It is still one of those places where locals take the time to smile and say hello to people as they pass by.

Molong Railway Station, now a library

Molong Railway Station, now a library

The railway station is now a library. It was built in 1885 in preparation for the arrival of the railway in 1886. From 1886 to 1893, Molong was the terminus of the Sydney line.

Telegraph Hotel, Molong

Telegraph Hotel, Molong

The Telegraph Hotel dates from around 1880, and was extensively renovated in 1910.

The Western Stores, Molong

The Western Stores, Molong

Many central west towns still have the old Western Stores shop fronts in their main streets, and Molong is no exception. The Western Stores and Edgleys Ltd was a group of department stores operating in western and central western New South Wales. In the 1960s the group was purchased by Farmers & Co of Sydney, and subsequently purchased by Grace Bros (now Myer). Part of this building is now a supermarket.

When was the last time you took a detour from the highway to discover a hidden gem?

[Photo: streetscape of Molong, looking down Bank Street from the Town Hall]

 

 

Hartley Historic Village

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One of the first things to know about the Hartley area is that there is a lot of it. From the Blue Mountains heading towards Lithgow you first pass through Little Hartley (with the old Harp of Erin on the left hand side, past the lolly shop) then the roadhouse cafe and farming produce store at Mid Hartley. A detour along Browns Gap Road will take you through Hartley Vale, providing an opportunity to enjoy a lovely drive through the valley.

The historic village of Hartley is under the care of the National Parks and Wildlife Service (NPWS). The NPWS took over the upkeep of the village in 1972, and there are various tours and accommodation options available. On the day I went for a wander there was a bus load of school kids visiting from the south coast, and they were split into groups to explore the historic courthouse and the Catholic Church.

The village of Hartley began to take shape in the mid 1830s with travel along the Great Western Road passing nearby following the opening of Victoria Pass. By 1837 the Hartley Courthouse was in operation, administering local justice until 1887 when court business was transferred to Lithgow. The building became a popular backdrop for tourists taking group photos on tours to the Jenolan Caves and was set up as a museum from the period after World War II until it came under the control of NPWS.

Hartley is one of the towns that came into existence due to the needs of travellers heading to the western districts, but then declined in significance when bypassed by the railway in the 1870s. The remaining buildings include old pubs and places of worship.

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Old Post Office, Hartley

The old post office is now a family-owned and operated cafe. The pressed tin ceiling, painted white, has a lovely rose design and there is local artwork on display and for sale inside the cafe. The granite tor, which I’ve written about previously, is located behind the old post office. There is an energy about it, and it is worth the walk up the slope in order to see the vistas stretching out towards Oberon and Lithgow, with the Great Western Highway snaking its way up the incline to Lithgow, Bathurst and beyond.

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The Farmer’s Inn, which now includes the Kew-Y-Ahn Aboriginal Gallery. St Bernard’s Roman Catholic Church in the background.

The Farmers Inn, which has served various purposes including time as a pub during the gold rush, is now a tourist centre and a gallery for indigenous artists from the central west of NSW.

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St Bernard’s Presbytery (right) and St Bernard’s Roman Catholic Church

Evidence of the strong Irish Catholic community is evident in St Bernard’s Roman Catholic Church and Presbytery, built in the 1830s and 1840s. The Anglican church, St John the Evangelist, is located closer to the highway and was built in the 1850s.

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The Shamrock Inn, Hartley

During my occasional visits to Hartley I’ve been drawn to the Shamrock Inn, one of the last buildings along the road. It seems to be settling down into its foundations with each passing year, the stones at the front of the building a little more uneven and the doorways slightly shorter than my height.

Pride and preservation combined with an interesting heritage make Hartley Historic Village a place well worth the trip. 

[Photo: Hartley Courthouse]

A Chance Encounter, A Lasting Legacy: Lennox Bridge, Lapstone

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I have passed the sign for Lennox Bridge countless times. I knew it was off the Great Western Highway, past the Blaxland McDonald’s, but that was about the sum of my knowledge. I took a detour recently, winding my way down the Old Bathurst Road. The road continues to narrow and bend until the bridge comes into view.

David Lennox, an experienced bridge builder and stonemason, had migrated to Australia from Scotland in 1832 following the death of his wife. He was spotted by Surveyor-General Thomas Mitchell as Lennox was working on a stone wall in Sydney. Following the chance encounter, Mitchell noted that”Mr David Lennox, who left his stone wall at my request, and with his sleeves still tucked up” had agreed to plan and construct stone bridges as required using government – convict – labour.

Mitchell placed importance on the design of well-constructed bridges as a sign of civilised society and had been despairing over the lack of skilled tradespeople to carry out the bridgework required in the colony. Mitchell’s mountain road, formed between Cox’s original road and a zig-zag road that had been constructed in 1824 to offer an alternate road in an attempt to ease the mountain crossing, required a significant bridge at Lapstone. The road became known as Mitchell’s Pass.

Lennox Bridge was built between November 1832 and July 1833 as part of Mitchell’s Pass. Lennox had to teach the stonemason’s art to the work crew of 20 convicts. The stone for the bridge was quarried from nearby and the horseshoe shape was chosen for optimum strength. There is an early painting of the bridge by Conrad Martens here. It was the first scientifically constructed stone arch bridge of any magnitude in New South Wales, and is the oldest stone bridge on the mainland. Richmond Bridge in Tasmania, completed in 1825, is the oldest bridge in Australia in continuous use.

Shortly after the bridge was opened, a crack was spotted. Lennox inspected the damage and advised that it wasn’t serious and the bridge continued to carry all traffic westwards until 1926 when a new deviation was built along an abandoned railway line. The bridge was finally closed to traffic in 1964 when a serious crack appeared. Following repairs and restrengthening it was reopened to local traffic in 1982. It had been dismantled and rebuilt, stripped back to its original arch.

Lennox was appointed as Sub Inspector of Bridges in New South Wales a mere seven weeks after his arrival in the colony. His annual salary was £120 ‘but without any forage for a horse’. He went on to build various bridges in New South Wales and Port Phillip, near Melbourne. The legacy that he left still endures today.

There is a short video here showing the bridge from various angles, including from the roadway and the base of the bridge.

[Photo: Lennox Bridge, Lapstone]

Lithgow State Mine Heritage Park

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The industrial history of Lithgow is intricately linked to coal mining in the district. The outcrops of coal at Esk Bank were an early indication of the mineral wealth of the area, and the demand for coal increased exponentially with the arrival of the railways in the late 1860s. The first commercial mining of coal in the area is attributed to the Hermitage Colliery in 1868, and before long there were more coal mines operating in the valley, including the Eskbank Colliery, Lithgow Valley Colliery and Vale of Clwydd Colliery. The coal was transported by the railways, along with the output from the various factories and industries of the town.

The State Railway mine was officially opened in 1916 and was under the control of the Department of Railways. There were a couple of stops and starts, and it wasn’t until 1921 that the mine was at full production. It was a substantial operation, and in 1927 an electricity plant was built for the mine and for a while this supplied the town with electricity.

In this age of privatisation, it is difficult to imagine public ownership and operation of a large coal mining enterprise. Looking over some of the histories of Lithgow, tensions between entrepreneurs running their own coal mines versus the government-owned enterprise were evident from the outset and continued until the mine was closed in 1964. The closure coincided with a number of external events, including serious local flooding and the lowering price and demand for coal due in part to the dieselisation of the railways.

A personal insight into the history of coal mining in the region is available through the Lithgow State Mine Heritage Park. Located at the old State Railway Mine site, it provides a wealth of insights into what life was like for miners, illustrating the shift in technologies over time with a wide range of mining memorabilia. On a crisp winter afternoon I arrived for a look around, inspired by a talk on the history and culture of Lithgow by Ray Christison. I was met by a volunteer guide who provided an overview of the site and its history. An indication of the depth of the mine shaft was provided by dropping a pebble and waiting to hear it land in water half as deep as the original shaft – it seemed to take an age. The mine workshop was once used as the repair workshop for all of the state-owned mines, and is now used by a local blacksmith.

The bathhouse, which was originally a powerhouse, is a popular venue for hire and has a collection of coal mining transport vehicles on display as well as coal cutters. In the auditorium there was a holographic movie telling some of the stories of the men and their families who worked at the site as well as the moving story of the fire that had a catastrophic outcome for 27 pit ponies.

A wide range of information along with a documentary on coal mining methods is on display in the old office building. I was glad that I walked around the grounds before I entered the museum, as the displays really helped to bring it all together and to provide insight into what it might have been like to work there. It also demonstrated why it is so important that industrial heritage is kept alive.

How is industrial heritage preserved in your area?

Sources: Lithgow: The Valley and the People by Brian Jinks; Lithgow State Coal Mine: A Pictorial History by Ray Christison. A drone-eye view of the park by daviddth99 is available here, and a touching rendition of the life of a pit pony by Martin Doherty and Leigh Burkitt is available here. It includes the cheering of the pit ponies by the householders in Macauley Street as they were brought above ground for the annual spell at Bowenfels.

[Photo of the Bathhouse and workshop at the Lithgow State Mine Heritage Park]

 

Down in the valley, the valley so low*

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I have a bit of a thing for old places. Places with a history, regardless of whether they are in current use or not. The Australian countryside is host to thousands of ruined and abandoned sites, including places where entire towns have been left to slip slowly back into the soil. When driving beyond the city limits, sooner or later you will come across properties where there is little more than a chimney left standing in an enclosed space that once held a home where people lived.

But it isn’t just homes that are left in this state. It can be industrial sites that are left behind when their usefulness has come to an end due to changes in technology or productivity. They can be schools or boarding houses, factories or power stations, convents or hospitals.  I recently came across a blog post by Alien Shores with some beautiful photographs of ruins which you can find here.

One of the notable industrial ruins in the mountains area is the Blast Furnace in Lithgow. The Australian iron smelting industry began here, and it was an important industrial development as well as being a major employer and support for the mining industry. There is a detailed analysis of the significance of the site here. It was constructed between 1905 and 1913, and operated until it was relocated to Port Kembla in 1928. The site was opened in 1907 when Lithgow was the fourth largest town in Australia. To understand the sheer scale of industrial activity in Lithgow at the time, have a look at the historic photographs assembled here by John Paix.

The historical importance of the Blast Furnace has been acknowledged, and there is currently preservation work being carried out in order to make the location more accessible for tourists following government and council funding grant approvals. It will be interesting to see what the future holds for this site.

Do old places capture your imagination?

*Taken from the lyrics of Industrial Town by Weddings, Parties, Anything

[Photo: Blast Furnace Park, Lithgow]