A Creative Hero: Carmel Bird

Hero is a term that is easily thrown about these days. Skilled sporting stars are named heroes, as are people who complete an extraordinary act in an otherwise ordinary life. It is a badge that I’m a little bit wary of, yet I like the idea of a creative hero.

For me a creative hero is someone who is versatile in their field, passionate not only about the act of writing but the craft of it – being willing and generous in their sharing of knowledge. They would be able to write in various styles and genres, from poetry to prose, non-fiction to fantasy, offering a breadth of approaches and worlds for their readers to enjoy.

A creative hero would have an impact on readers and writers alike, perhaps have a wider profile than many writers, and be advocates for the power of creativity.

There are many eligible candidates out there, both living and otherwise, but if I was put on the spot I would have to say Carmel Bird is an Australian contender for my creative hero. I came across Bird’s fiction years ago with a mystery novel Open for Inspection, and have read many of her short stories in various compilations.

Her contribution to the craft of writing is extensive, through workshops, classes, and author talks. My introduction to the world of writing via Bird’s viewpoint was through a chance finding of a second-hand copy of Dear Writer. I found it in the wonderful book town of Clunes in Victoria, and enjoyed reading through the correspondence between an aspiring writer and their patient and wise tutor. The warmth and humour made it stand apart from many of the books that I’ve scoured over the years, and I was pleased when it was re-released a couple of years ago with some updates as Dear Writer Revisited. There is a review on the NSW Writers Centre site here.

There is an extensive interview with Bird on the Sydney Review of Books site written by Rachel Morley. This provides insights into Bird’s creative process and practice, including travelling with a small paper notebook and capturing three good things from each day, from simple moments to more complex events. Bird also outlines the importance of observation for a writer, of how the act of writing is a way of making sense of aspects of life.

For me a creative hero is someone who I admire, with work I respect and enjoy, who is prolific and inventive and has an evident joy in the act and art of creation.

Who is your creative hero?

[Photo: detail from stained glass door in Hydro Majestic Hotel, Medlow Bath]

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Putting Creativity Out There

Over the last couple of years I have been writing fiction. This has mainly been in the form of short stories along with the first draft of a novel. The words have been growing slowly, building up in the background.

Some of the short stories have had an airing in my writing group, and this has been invaluable in a number of ways. Following constructive feedback, I have usually come away with a couple of areas to rework. I’ll admit that there are times when the feedback has been a bit challenging to hear, but usually once I digest the suggestions and revisit aspects which were confusing, the work feels stronger. I have been filing away the updated pieces, satisfied with the knowledge that they were as good as I could get them at this time.

There are lots of writing competitions out there, but I have been a bit reluctant to send these pieces out into the world. Late last year I read Big Magic by Elizabeth Gilbert which made me think that perhaps it was time to let some of my work go, to see if it could stand up on its own. In my writing group there was encouragement to get our work out there with a clarion call to collect rejection slips as we set our stories free.

I had been keeping an eye on competitions through a free weekly newsletter from the NSW Writers’ Centre and had printed out an entry form for a writing competition in Victoria. The form was filed and promptly forgotten until I discovered it, a day or two before the closing date. Fortunately submissions were online and I picked a story that met the competition criteria and sent it off before moving on to my next thought. When I came across the competition form a month or so later I tore it up, thinking that was the end of it but at least I’d tried.

Then I received a phone call. From Victoria. A phone message to let me know that I had won first place. I listened to the message a couple of times, stunned. The judge’s comments on the website said my story was charming and well-constructed. I felt giddy with delight. My story, inspired by a podcast about the vital role played by memorial halls in small country communities, had been good enough. You can find the story here.

So I will continue to create and dream and polish and put my work out there. I have recently come across the following in Writing Alone, Writing Together by Judy Reeves. It sums up how to behave as an ambitious writer:

The ambitious writer doesn’t hide her short stories in a drawer when she completes them, she sends them out. She starts with The New Yorker and works her way down. She doesn’t hesitate to approach a successful writer and ask questions, or follow an agent into the elevator so she can give a pitch. Even if she’s shaking in her Hush Puppies, she goes after what she wants. Being in the right place at the right time, knowing the right people, getting lucky, a chance encounter, a fortunate happenstance – all these might play a role in getting what you always dreamed of, but the ambitious writer is the one with energy and fortitude and stick-to-itiveness that the Elmer’s folks would like to patent.

Do you let your creative work go out into the world?

[Photo: three green owls]