Are you able to work in a creative sense in a cafe? I can sometimes. A lot depends on what I’m working on and whether the sounds and smells around me are overwhelming. Some cafes are really noisy, others have a low background hum spiced with fragments of conversation which can be wound into possible future stories or just provide an interesting point of reference. People are largely unguarded in a cafe – they might be catching up with friends or having a conversation on the phone. Yes, even those one-sided conversations can provide a spark of interest for the eavesdropping writer.
One of my more memorable cafe experiences happened in a small country town. The promise of coffee and raisin toast lulled me inside, along with the cafe’s description as an emporium. After I ordered I had a wander around the cafe which had various shelves, book cases and tables set up with preloved goods. It was one of those places where you would probably see something different each time you visit.
There was a clutch of women at a couple of tables at the front of the cafe, and in the absence of any background music it was impossible not to hear the conversation between the group. I was writing up some notes on some things I’d spotted whilst roaming around the village, but within a short period of time the conversation caught my attention and I felt the need to jot down some of the things that one woman in particular was saying. It isn’t something I would normally do, but I felt like she may have been putting on a performance for an outside audience and it was too good to ignore.
I started to type up some of the phrases that the woman was saying. The trick was that as she was speaking, the woman was also bouncing around the shop, touching this, inspecting that. There were other people in the cafe but they were all women who seemed to know each other and weren’t particularly bothered by her antics.
I was jotting some of the colourful phrases down when suddenly she swooped towards me, placed a hand on my shoulder and asked me what I was doing.
‘Don’t mind me, love, I’m a bit nosy.’
Fortunately I had seen her approach and had managed to flick to another screen. Unfortunately it was a browser window which featured an in-depth article about a murder that had taken place in the town. My claim that I was just reading up on some local news probably didn’t ring true, but she tapped my shoulder and moved on to the next thing of interest.
I wasn’t being deliberately misleading or intrusive. Being able to catch turns of phrase or unguarded moments of conversation is good training for a writer’s ear. Often we speak in a kind of shorthand, or sentences drift off. There can be a lot of murmuring or hand gestures or facial expressions which don’t necessarily translate into the written word. But the cadences and rhythm can be picked up and this can help to provide an authentic tone to a future piece of written dialogue.
It isn’t unusual to be sitting at a cafe and working on a laptop or device. I’m not saying that the person that looks focused on something in front of them is recording your every word and gesture. But you might be inspiring them to some authentic writing in the future!
There is an entertaining post from Pauline Conolly about writers and cafes which you can find here.
[Photo: hot chocolate with home-made marshmallow at Paragon Cafe, Katoomba (before it closed) – one of my favourite scribble spots]